Planetarity: Friction, Fossils, and the Future
A research-based exhibition project exploring deep time, extractivism, and the frictions between ecology, history, and contemporary art.
Curator, researcher, and writer working across exhibitions, writing, and public programs.
Working through writing, exhibitions, and public programs, April Liu develops research-driven projects shaped by intuition, lived experience, and sustained critical inquiry.

A research-based exhibition project exploring deep time, extractivism, and the frictions between ecology, history, and contemporary art.
A group exhibition exploring forms of being beyond normative expectations of agency, rationality, and productivity, drawing from Park Chan-wook’s I’m a Cyborg, But That’s OK and Eunjung Kim’s concept of “unbecoming human.”
A thesis on collecting politics, institutional framing, and Chinese contemporary art in M+.
Contribution to the exhibition publication for Cast for Dignity: Early Chinese Belt Hooks from the De-Neng-Tang Collection at the CUHK Art Museum, supervised by Prof. Pengpeng.
A review of After the Face, curated by Shuhan Zhang at Flohaus Gallery.
A review of Osmosis, curated by Jinyi Freya Xu and Luman Jiang at Flohaus Gallery.